| 1 | None |
| Module 1: musique concrète, form and content |
| 2 | Lab 1.1: basic studio technique (PDF) |
| 3 | Lab 1.2: Pro Tools editing (PDF) |
| 4 | Lab 1.3: more Pro Tools editing (PDF) |
| Module 2: feedback and continuity |
| 5 | Lab 2.1: speaker-mic feedback; outboard processing such as filters, delay, EQ, Aural Exciter (PDF) |
| 6 | Lab 2.2: Pro Tools busses, internal feedback loops, delay and reverb inserts; Pro Tools tricks (PDF) |
| Module 3: noise and layers |
| 7 | Lab 3.1: introduction to Peak ( PDF) |
| 8 | Lab 3.2: recording using Peak; Peak plug-ins; SuperFreq-10; SoundSoap; other noise reduction techniques (PDF - 1.8 MB) (Courtesy of Bias, Inc. Used with permission.) |
| 9 | Lab 3.3: other Pro Tools inserts; automating inserts; dynamics; Peak to Pro Tools and vice versa (PDF) |
| Module 4: synthesis, algorithm, interaction (Max/MSP) |
| 10 | Lab 4.1: basic Max/MSP (PDF) |
| 11 | Lab 4.2: more Max/MSP; review assignment 4.1 (PDF) |
| 12 | Lab 4.3: no class |
| 13 | Lab 4.4: more Max/MSP, with emphasis on finishing final Max projects (PDF) |
| Module 5: sampling, remixing, polishing |
| 14 | Lab 5.1: listening to module 5 pieces, explain assignment 5.1 |
| 15 | Concert |
