LEC # | TOPICS | KEY DATES |
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1 |
Introduction: Myth in Visual and Literary Arts Film: Sturges, Preston. The Lady Eve, 1941. |
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2 |
Discussion of Singer, Irving. Reality Transformed: Film as Meaning and Technique. Film: Jeunet, Jean-Pierre. Amélie, 2001. |
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3 |
Discussion of Bédier, Joseph. Tristan & Iseult. Film: Cocteau, Jean, and Jean Delannoy. The Eternal Return, 1943. |
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4 |
Discussion of Shaw, George Bernard. Pygmalion. Film: Asquith, Anthony, and Leslie Howard. Pygmalion, 1938. |
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5 |
Discussion of James, Henry. Washington Square. Film: Holland, Agnieszka. Washington Square, 1997. |
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6 |
Discussion of Singer, Irving. Reality Transformed: Film as Meaning and Technique. Film: Wyler, William. The Heiress, 1949. |
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7 |
Discussion of Singer, Irving. Three Philosophical Filmmakers: Hitchcock, Welles, Renoir. Film: Hitchcock, Alfred. The 39 Steps, 1935. |
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8 |
Discussion of Singer, Irving. Three Philosophical Filmmakers: Hitchcock, Welles, Renoir. (cont.) Discussion of Readings and Screenings to Date - |
Paper 1 due |
9 |
Discussion of Cocteau, Jean. Cocteau on the Film. Film: Cocteau, Jean. Orphée, 1950. |
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10 |
Discussion of Cocteau, Jean. Cocteau on the Film. (cont.) Film: Cocteau, Jean. The Testament of Orpheus, 1960. |
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11 |
Discussion of Singer, Irving."The Meaning of Death" In The Creation of Value. Film: Bergman, Ingmar. The Seventh Seal, 1957. |
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12 |
Discussion of Student Drafts of Paper 2 Film: Bergman, Ingmar. Through a Glass Darkly, 1961. (Interviews) |
Paper 2 due |