Syllabus

A list of topics covered in the course is available in the calendar.

Course Meeting Times

Lectures: 1 session / week, 3 hours / session

Course Description

The past thirty years have changed the media environment dramatically. Ever more powerful computers and graphics coupled with a variety of related technologies have forever changed the way that young consumers now choose to spend their leisure time. The choices available today compared to a generation ago are almost staggering and only promise to increase in the years ahead. The focus of this course is on the most rapidly growing segment of this new media domain: videogames. Last year, the sales of videogames exceeded the domestic Box Office for Hollywood movies. What is the videogames industry and how does it operate? What creative processes and business decisions go into shaping the development of a commercially successful game? How do industry insiders handle the mix of art, science and business necessary to make commercially successful games?

This class will look at the history, principals, seminal programs and implications of this encompassing new medium as well as help the student to develop a critical appreciation for how to apply that knowledge to conceive, develop, market and sell videogames domestically and internationally.

There will be guest lectures by media experts intimately involved in the videogames industry where students will have a unique opportunity to learn from, and interact with, some of the most important people in the industry today--from key designers and programmers to publishers and writers. Students will also participate in hands-on projects designing, creating, planning and marketing videogames.

Tentative guest lecturers include: Ernest Adams, Bob Bates, Seamus Blackley, Julian Lefay, Richard (Lord British) Garriott, Robert Garriott, Steve Meretzky, Matt Firor, George (Fatman) Sanger, Warren Spector and Johnny Wilson.

Students are responsible for checking the readings section for the most up-to-date listing of readings.

Course Requirements

Grading

Interpretive Question

Each week students will submit at least one interpretative and thoughtful question based upon the written materials for that week and one question intended for class discussion. The questions should show a solid grasp of the course material as well as provoking reflection on the part of your fellow students, the instructor, and the guest speaker. Your questions will help guide discussion of the course material. A copy of all the questions will be provided to the class each week. Questions should be emailed in by noon the Wednesday before each Friday’s class to allow for compilation and distribution.

Project Update Papers

Each Student shall submit a paper on games that were important to them as well as write a paper that proposes a game development project. The goal is for your proposal to be chosen by classmates as one of the four or five Final Projects that students shall work on as part of a team.

Final Project

Each student will participate as part of a design and development team that will be responsible for developing a working presentation, business plan, and marketing plan for a videogame. Each plan should take the overall videogame and multimedia industry into account and its various offshoots, remembering that each media genre represents a distinct user base. In most cases, these different media are sold into and consumed in some relation to each other. The ideal game would allow non-initiated consumers to derive pleasure from the experience, while still being of interest to a hardcore gaming audience. The student teams should consider the full panoply of hybrid media where a consumer can follow a story or experience across multiple channels thereby developing a more complex and rewarding overall experience.

Each student will choose to participate on one of the four or five chosen game proposals and help execute a plan for the original property and outline its development by each team member. Sales materials should include a description of the game, a graphic presentation and an account of how you propose to develop it across multiple media (PC, console, X-Box (hybrid), handhelds, posters, records, etc.). You should also have an idea of the most likely audience for your game and how to market it to different audiences as well. Each team should be prepared to lead a discussion of the overall business strategy for their product(s) and provide some comparison to other, similar games or genres. As part of your overall strategy, each team should have a plan to expand your user base by enabling users a more participatory relationship to the property. Your team should be prepared to deliver a thirty-minute presentation of your game, including gameplay, as well as strategies for the intended property which should include a range of support materials. Your materials might include: an interactive demo, a video, a graphic presentation, a Web site, story boards, graphic designs, logos, art, photos, advertising campaigns, posters, etc. Each Team Project, and the students contributing to that Team, will be judged on the basis of the product's overall quality, creativity and originality, your understanding of the core course concepts, the Team's technical competency and your grasp of the current business environment into which you would need to sell and support the product.

More detailed instructions for the final project are available in the projects section.

Class Participation

While I do not take formal attendance, I am aware of who attends regularly, participates actively, and asks insightful questions.

Plagiarism

The use of another's intellectual work without acknowledgement is a serious offense. It is the policy of the Department faculty that students who plagiarize will receive an F in the subject, and that the instructor will forward the case to the Committee on Discipline. Full acknowledgement for all information obtained from sources outside the classroom must be clearly stated in all written work submitted. All ideas, arguments, and direct phrasings taken from someone else's work must be identified and properly footnoted. Quotations from other sources must be clearly marked as distinct from the student's own work. For further guidance on the proper forms of attribution consult the style guides available in the Writing and Communication Center, and the MIT Web site on Plagiarism.

Calendar